I am feeling sentimental, for I love my Wales

THE WONDERFUL ALEXANDER CORDELL

EVEN IN THE COAL MINES, THERE'S BEAUTY IN MY WALES

Alexander Cordell was one of Wales' most prolific writers, although he wasn't Welsh.
HeAlexander Cordell was born in Sri Lanka, and came to Wales to convalesce during World War II. After the War he moved to Llanelen (a few miles North of Goytre Wharf) where he did most of the research for Rape of the Fair Country, before moving to Holywell Road in Abergavenny, his home for many years.

This tour will take you from the rolling countryside of the Vale of Usk, much loved by Cordell, to the landscape of the industrial valleys, which provided the backdrop for most of the action in Rape of the Fair Country. You will visit some of the more accessible sites which feature in this powerful story about life during the early years of the Industrial Revolution leading up to the Chartist uprising of 1839. It is suggested you use OS Explorer Map 152 and OS Outdoor Leisure Map 13 (Brecon Beacons National Park East) for reference. Route directions are in bold, quotations from Rape of the Fair Country in italics. Key sites are numbered and marked on the map. (Thanks to the Wee reference leaflets I picked up myself.

The Big Pit

If you get the chance to go down the Big Pit, you will never forget it. However be sensible and wear flat shoes and not your Sunday Best Outfit. The last time myself and my husband went down, there was an American couple with us. They unfortunately decided to go down the pit on a whim and as she said "It was a bit daft to even attempt it, in three inch heels and a white summer skirt with navy blouse." Sadly she had to go back to the top after a ten minutes or so. Her husband stayed on the tour, so I guess he was able to tell her all about it. It truly is very humbling to see just what conditions these Welsh men and children had to go through. After leaving the pit, we then went to the cottages, they were the ones that they later used in "Coal House" the BBC One series. "Wow it was fascinating watching the series and knowing that we had been there. Afterwards we went to the museum dedicated to the most wonderful "Alexander Cordell, whom I might have told you already I had the privileged of meeting once. His books, and I think I can say all his books, the Welsh and Chinese ones and the others. Brilliant, I have them all, though I did find that the last couple he wrote in the couple of years before his untimely death, where not as fulfilling as his early books. He had lost his second wife and he was very "dwr" after this and I think coming up to my North Wales, was maybe a mountain to many. He died up on the Llangollen moors, not to far from the "Ponderosa Restaurant." Leaving behind him a few photos and a wee letter. His life ended like many of the steel and coal workers he wrote about, lying in the beautiful Welsh countryside after a hard life's work. May Dewi Sant watch over you My Hero. Dodie x


Beside the peaceful Monmouthshire and Brecon Canal at Goytre Wharf it's easy to imagine Iestyn Mortymer and his family gliding down the canal on the outing to Newport:

Wonderful to be moving on water. The silky movement is a drug to the senses when you are lying along the prow of a barge watching the water-lilies and bindweed waving. Soon Pen-y-fal and the Skirrids were well behind us, and the sun, streaming down through the avenue of trees, cast golden patterns on the barges.

However this quiet backwater was once a busy industrial site. Take time to walk around and view the historic lime kilns and aqueduct, as well as the South Wales Tramway Exhibition. Tramways were crucial in bringing coal, limestone and iron-ore down from the hills to the wharves located along the Monmouthshire and Brecon Canal - at Llangattock, Llanfoist and Llanelen.

There is also a Tourist Information Point where you can pick up leaflets and advice before leaving Goytre Wharf.

Diary, Bryn Roberts, Monday 28th February 1853.

Today has been one of the worstDraig Goch days of my life. I will be glad to leave this God forsaken canal and the
barge, anything than spend another day like this! To begin with it has been snowing for most of the day, my feet are cold, my hands are skinned to the bone where the damned tow rope kept slipping through them. God how I hate this job. Ha! A job, I don't even get paid for it. "you've got to be fourteen before you get any money boyo". Oh yeah, fourteen before I get any money but six when I started walking the paths, even towing the ropes with my brothers when the damn horse went sick or lame.
No I've had enough, cramped up in a tiny cabin with three sisters, the oldest not yet nine, the youngest not yet walking. Maybe that's a blessing at least one less under my feet. I suppose I should be grateful that I've got under the table to sleep by myself now that Iolo has left for the mines. My heart still grieves for Iolo, still it was his decision. Poor Mam, she was looking very old this morning Gone her lovely black hair, now just grey and going more grey with each rising day.
Old Mostyn Evans died this morning of the Cholera, they say three of his young ones will be gone in the next day or two as well. Poor Mrs Evans I suppose it will be the Workhouse for her and Myfanwy and Rhian, God help them. I counted seventeen rats this afternoon down by the lock gate. It made me wonder if Istyn Morris lost his leg down at Neath or if the rats ate it whilst he was asleep. If the Navvies from England kept their rubbish proper like us Welsh, then maybe there wouldn't be so many rats.
I heard from Marie Lloyd that two children where drowned at Resolven Yesterday, two less mouths to feed. Still t'is sad to think of so many children dying this way and most of them not reached their ninth birthday. Still who wants birthday's, nothing to look forward to there either.
"No money Bryn" Dada would say. "You know what it's like in winter, and now with these railways taking all our business we'd probably do better going on a ship to America along with the Irish."
Well this is me, thirteen in a months time and nothing to look forward to except more blisters and chilblains this winter and more sunburnt backs and arms in summer. Not if I can help it! Not me. I'll follow Iolo down the pit, not good but nothing could be worse than this. But how can I go, what would happen to Mam and Dada.
Still it's nice to dream.
Goodnight Dada, I love you Mam. Time to sleep. Bryn.R.

A small excerpt from one of the books written by the wonderful Alexander Cordell. start with "The Fire People" get hooked and then the first Trilogy, "The Rape of a Fair Country" "The Hosts of Rebecca," and "Songs of the Earth"

Da Iawn, as we say in Cymraeg. Very Good you say in English

May 08, 2010

And now or something completely different, enjoy this fabulous musician at Dodies Dream World




AND NOW FOR SOMETHING COMPLETELY
DIFFERENT


THIS WONDERFUL MUSIC IS FROM A GENTLEMAN CALLED
MASANORI TAKEIHASHI BORN ON FEBRUARY 4TH  1953 

BUT BETTER KNOWN AS "KITARO" THE MUSIC ~ MATSURI (LIVE)
KOJIKI: A STORY IN
CONCERT, 1997.

ABOUT THE MAN

Kitaro moved to Tokyo to experience and become a part of the music
scene, and it was there that he discovered the synthesizer. His first
synthesizer was analogue, and recalls he “just loved the analogue sound
that it made compared to today's digital sound”.
His parents were first opposed to the idea of their son having a
musical career. Indeed, in an effort to manoeuvre him towards their
vision, they made arrangements for him to take a job at a local
company. In return, he left home without telling them. 

He supported himself by taking on several part time jobs such as
cooking or civil service work, meanwhile composing songs at night.
Back in Japan, Kitaro started his solo career in 1977. 
The first two albums Ten Kai and From the Full Moon Story New Age movement.
He performed his first symphonic concert at the 'Small Hall' of the Kosei Nenkin Kaikan
in Shinjuku, Tokyo. During this concert Kitaro used a synthesizer to
recreate the sounds of 40 different instruments, a world's first. But
it was his famous soundtrack for the NHK series "Silk Road" that brought him international attention. became cult favorites of fans of the nascent
He struck a worldwide distribution arrangement with Geffen Records
in 1986. This included a re-releasing of five prior albums --

Astral Voyage, Full Moon Story, Millennia, India, and
Asia, each handsomely packaged with Japanesque obi strips --

and a new album, the aptly titled, Toward the West. In 1987 he
collaborated with different musicians, e.g. with
Micky Hart (Grateful Dead) and Jon Anderson (Yes).
In 1988 his record sales soared to 10 million
worldwide. He was nominated twice for a Grammy award and his
soundtrack for the movie "Heaven & Earth" won
the award for best original score.
When asked about his music, he said, "I never had education in
music, I just learned to trust my ears and my feelings." He credits
‘powers beyond himself’ for his music, saying,
"This music is not from my mind. It is from heaven, going through my body
and out my fingers through composing. Sometimes I wonder. I never
practice. I don't read or write music, but my fingers move. I wonder,
'Whose song is this?' I write my songs, but they are not my songs."

Since his 1995 début for Domo Records—the Grammy-nominated Mandala,
featuring bold use of electric guitar—

Kitaro has released no less than thirteen albums. Among them,
the live An Enchanted Evening (1995), the deeply spiritual Gaia Onbashira (1998) and
Ancient (2001), were all Grammy nominated.
The 2000 Thinking Of You, which allmusic.com calls a “journey to ecstasy” and “one of the most beautiful CDs of all time,”[citation needed] won the Grammy for Best New Age
Album.

Kitaro’s music has long been recognised for its messages of peace
and spirituality. In the wake of September 11, the artist began
recording Sacred Journey Of Ku-kai, an intended series of
peace-themed albums (Vol. 1 released in 2003; Vol. 2 in 2005, vol.3 in
2007), inspired by the classic Buddhist pilgrimage to the 88 sacred temples on Japan’s Shikoku Island, a journey taken by the famous Buddhist monk Kūkai
over a millennium ago.

In 2007, Kitaro has composed the music for West Lake Impression,
a large-scale opera, directed by renowned Chinese film director Zhang
Yimou. The opera reflects the city’s history and culture through music
and dance. Using modern technology, the stage is 75 centimetres below
the lake’s surface during the day so as not to affect the landscape and
boating activities. In the evening, the stage is 75 centimetres below
the lake’s surface.[citation needed] 

The two-hour event had its opening night in March 2007.
In 2007-2009 he launched the ‘Love and Peace World Tour,’ an
international tour with which Kitaro hoped to inspire his message of
world peace with his music. Kitaro toured Southeast Asia in 2007, and
Greece in 2008. During his visit to Greece, Kitaro met Greek musician
and composer Vangelis, and exchanged musical experience and creative ideas.

Kitaro has also reunited with drummer Mickey Hart.
From 1983 until 1990 Kitaro was married to Yuki Taoka. Yuki
is a daughter of Kazuo Taoka, godfather of Yamaguchi-gumi, the largest Yakuza
syndicate. Kitaro and Yuki had a son, Ryunosuke, who lives in Japan.
They reportedly separated because Kitaro worked mostly in the United
States while Yuki lived and worked in Japan. In the mid-nineties,
Kitaro married Keiko Matsubara, a musician who played on several of his
albums. Along with Keiko's son, the couple lived in Ward, Colorado
on a 180 acre (730,000 m²) spread and composed in his 2500 square foot
(230 m²) home studio "Mochi House" (it is large enough to hold a 70
piece orchestra). Kitaro and Keiko recently relocated to Sebastopol, California.

In 1989, he wrote the "Japanese" Theme for the film "Return From The
River Kwai".

He has worked with guitarist Marty Friedman, formerly of Megadeth, on the
"Scenes" album. He has also worked with Hong Kong
Cantopop singer Anita Mui on the song "Years Flowing Like Water" "似水流年".

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